"A corner" watercolour painting

When I was traveling to visit my girlfriends family I was looking at the nature around me and I especially liked how the melting snow created a sharp line through the environment. Wherever the snow was melting away, there remaining patches of snow reminded me of how it looks if I just lasso a part of a picture in photoshop and cut it out. It's so graphic looking. No real soft transitions, just a big white empty space cut out from the surroundings. So I started taking a bunch of photos to have as inspirations for paintings and one of them was of this old barn that gave me the feeling that it had been put away in "a corner" of the surrounding forest.  Even thought the effect I mentioned above is not that noticeable in this one, I still enjoyed playing with the texture of the ground showing up under the melting snow.

This was also an experiment for me because it was a lot about trying to describe a lot of information without getting lost in the process. I wanted to simplify but not too much.

watercolour painting of barn in melting snow during spring in Sweden by Adam Stolterman

Watercolour on 300g rough grain watercolour paper. 41 x 31cm


"Ljustorp" Watercolour painting

During the fall i was looking at light that was putting on a real show. Weird pockets of light in shadows, and trees with dramatic light hitting them durring the sunset. My attention was especially caught by this one birch tree outside my girlfriends family's summer house, which is in the middle of the forest. Every day around the time the sun was going down behind the treetops, somehow this tree was illuminated by a beam of light, while the surrounding forest was in shadow. I even tried to understand exactly where the beam was coming through the forest behind me, but i never found it. So while we stayed at the house i walked out everyday around the same time to look at this tree. The light was so strong that it really seemed like the tree was glowing by itself. It actually cast a reflected light on the ground underneath it that was a little colder so the ground seemed to light up as well. So i tried to take a photo (which was really hard in itself) and then i've been trying to capture a sense of that lighting in this painting. I at least think i managed to capture some of the effect and feeling of the scene.

When it comes to the actual painting process this one was very much balancing the light and the darkness surrounding it. Too dark and the tree would be too strong against the background. Too light and the tree would loose it's power. If the birch tree was too abstract it would not feel stable and would be sort of floaty. I wanted it to have some weight, but on the other hand if it's too defined i would lose the feeling of the light. So i was going back and forth a lot on this one until i came pretty close to what i was going for.

watercolour painting of light on a tree by adam stolterman


"Mot Sikeå" Watercolour paintings

Last winter i was traveling north from Umeå (the town in Sweden where i live) to a small place called Sikeå. It was a foggy day with a beautiful white light that reflected in the air. It was very nice and at one point a herd of white deer were walking next to us. I took a couple of photos and decided to make small paintings to remember the light.

Watercolour on watercolour paper. 25 x 18cm. The frame is 45 x 35cm

Winter watercolour painting of fog

Watercolour painting of white deer

Watercolour painting of winter light

Watercolour painting of winter light and trees by adam stolterman


"Indiana 1" Watercolour painting

I spent some time in Indiana during the spring, and now i'm starting to make some paintings based my time there. This is the first one. It's 51 x 36 cm.

Watercolour painting of barn, skies and clouds in Indiana


"Letting go" oil painting.

I call this painting "Letting go". It's an oil painting on illustration board and it's 35 x 28 cm. I started this painting with the purpose of just doing something fun, without putting too much thought into it it. But i actually found myself getting some kind of connection to it in the end. 
What would you let go from the back of a flying turtle?

adam stolterman flying turtle with balloons fantasy art


Nordsken convention

Last week i attended Nordsken, which is a pop culture convention. It was a lot of fun. I had a small art show among many other great artists where i showed original paintings, prints and some of the original art from my graphic novel Ellna.  Here is a photo of a friend of mine helping me with setting things up for the show. It was fun, and i had a lot of fun with the set up. A very relaxed show. 

I also had my book for sale during the convention and i was part of a panel discussion about myths and legends as part of the process for writing stories or graphic novels. 

nordsken adam stolterman

The week was amazing and i'm already looking forward to next year! 


Contact oil painting

I've been traveling for a while now and haven't really been painting that much. But i did get some stuff at the local art supply store and i painted a little. 
But i am working on a series of small watercolor paintings. I will be releasing them soon.

contact between lizard dinosaur and a guy under the moon oil painting


Kalhygge watercolour painting

A painting i did while looking at my brother's beautiful photos. I wanted to work with positive forms over negative forms. I like the effect of the contrast between the dark shapes of the trees in the foreground against the light shapes of the forest in the background.
Watercolour on watercolour paper. 22,5 x 22 cm

watercolour painting of dark forest with trees and fog. A glow in the night


Forest Shed watercolour painting

This is another painting i started as a demo for a class. I did not plan this other than i did a very loose sketch of the shed. I didn't use any photos. Instead i was showing how i can find the environment with abstract shapes that shows up when i drag the brush over the paper. The process is very reactionary. Reacting to what the paint is doing more than trying to control where it's going. So like an out of focus photo getting sharper i started defining shapes and forms in the textures that showed up by accident.

watercolour painting of an old shed in a forest among trees and stone stairs